Chamber Music

Three Worlds for mixed ensemble. 60’. 2021. Commissioned by the Columbia Museum of Art for The Imaginative Worlds of MC Escher

Back Downtown for saxophone quartet and drum track. 7’. 2019. Commissioned by the Regulus Quartet.

Vistas for string quartet. 5’. 2017. Written for the Heisen Quartet at Artista Vista. 

At the Edge of the World for two guitars. 4’. 2016. Commissioned by the Southern Exposure New Music Series for the FretX Duo (Dan Lippel and Mak Grgic).
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A July Midnight for oboe quartet. 6’. 2016. Commissioned by the Bennington Chamber Music Conference.

Still Breaking for flute, bassoon, trumpet, and vibraphone. 6'30". 2015. Commissioned by the Soundscape Composition and Performance Exchange. 
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All day I hear the noise of waters for soprano, electric guitar, and piano. 7’30”. 2014.       listen on soundcloud 

… ‘twas but a dream of thee for two guitars. 9’. 2013.  Commissioned by Duo Cortado.
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Liebes-Lied for flute, voice (tenor), and piano. 4’30’’. 2012. Commissioned by Korinne Smith. Revised for alto saxophone, tenor saxophone, and piano.

Turning for violin, tenor saxophone, marimba. 6’. 2012. Commissioned by Jenie Kechulius. 

Into the Present for percussion ensemble and piano. 8’. 2008. 

Assumptions for clarinet, violin, cello, piano. 10’. 2007.

Black Lion for amplified bassoon with guitar effects pedals. 7’30’’. 2007. Commissioned by Jared Hendrickson. Revised in 2013 for amplified baritone saxophone and guitar effects pedals.
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Questionable Night for flute, clarinet, and bassoon. 12’. 2006.

Thoughtcrime for alto saxophone and vibraphone. 6’. 2005. 

Dream Sequence for piano. 7’. 2004.                                                                     

Electronic

Plasma Trails for solo marimba and computer-generated delay. 6'05". 2015. Commissioned by Brett Landry. 

The Mortal Terror of Nosferatu for fixed electronic media. Segment composed as part of joint re-scoring of the film. 8'40’’. 2015. Commissioned by CICA. 
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And to the Sea We Shall Return for mixed ensemble and electronic media. 10’02”. 2014. Commissioned by Russ Zokaites for the Ghettoblaster Project 
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Aftermath for amplified clarinet and guitar pedals. 6’20”. 2013. Commissioned by Jared Eastridge. Revised in 2014 for clarinet and live processed sound (Max/MSP).

Go Forth for fixed electronic media and voice (soprano). 10’. 2013.

Beneath the Ice of Europa for fixed electronic media and string quartet. 6’. 2011, revised 2013 for fixed electronic media and electric guitar. Commissioned by the South Carolina Philharmonic.

Epoch for fixed electronic sound installation. 100’. 2010. Commissioned by Jeffery Day’s “Install It” installation at Artista Vista.

Oceans of Oil for trombone and fixed electronic media. 6’. 2010. Commissioned by Brad Edwards. 

Hypnagogia: Between Wakefulness and Sleep for flute and fixed electronic media. 6’. 2009.

Cave of the Lighted House for alto saxophone and fixed electronic media. 5’. 2008. 

Large ensemble

Echoes of Unity for wind ensemble. 8'10". 2015.

The Spirit Sounds for clarinet, bassoon, horn, two violins, viola, cello, and double bass. 9’10”. 2014.
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For Orchestra (2,2,2,2 / 4,2,3,1 / timp + 2 perc / strings). 5’. 2008.

Open the Door for combined trombone and saxophone quartets.  5’. 2006.  Commissioned by Russ Zokaites.   

Film and Commercial

Nosferatu silent film accompaniment for mixed ensemble. 94’. 2020. Commissioned by the Columbia Museum of Art. 

The Cabinet of Dr. Caligari silent film accompaniment for mixed ensemble. 75’. 2020. Commissioned by the Columbia Museum of Art. 

I Must Become Caligari! for flute, clarinet, alto sax, bassoon, horn, trombone, strings, and percussion. Segment composed as part of joint re-scoring of the film “The Cabinet of Dr. Caligari.” 7'55’’. 2016. Commissioned by CICA.

Challenge yourself to find the thing that makes you original for voice, clarinet, cello, and piano.Promotional video for the University of South Carolina School of Music. 2". 2015. Commissioned by the USC School of Music. 
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We’re Not Just Shopping For Food for four voices and guitar. 5’. 2012. spontaneous grocery store musical, with words and music commissioned by Pocket Productions. 
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